It occurred to me that this is the 15th year I have been actively keeping a Top 10 movies list. So I did a little number crunching.
Of movies released from 1999-2013, I have seen 1029 (or 68.9 movies a year). Granted I see movies years after they are released and I also see movies released before 1999, so this is not an actual record of how many movies I see a year. But apparently I see quite a lot.
Of the movies I have seen, 144 of them were “not worth seeing” or 14%. Considering I intentionally skip most movies with terrible reviews, this means 86% of the time I find the movie redeeming.
My picks for the best film of the year stand up as an eclectic collection. Only 1 of the films is not well known (50/50). 3 won the best picture Oscar. Another 7 were nominated (and Gravity might win). 5 were not nominated for best picture.
I can’t say which is the best. I haven’t watched 6 of the 15 a second time. I have seen 6 of them multiple times. One director repeats on the 15 – Ang Lee for two wildly different genres. I have watched other films (ex. Mean Girls) more than any of these films, but that doesn’t make it the “best,” just the most enjoyable.
I wish I’d seen all of them – all the foreign films, documentaries, independents, even the poorly rated blockbusters. But I’m just an arm chair critic and seeing over 70 films in 2013 is a heck of lot anyway.
Another very good, but not outstanding year. Few of these films will be classics in a decade, but they were plenty enjoyable to watch. Of my top 10, 7 were based on real life stories. My tastes also seem to match up to the Academy more and more. Of the 9 best picture nominees, 7 are in my top 10 and the other 2 in my Top 20. I chalk this up to not seeing enough independent and foreign films.
The Descendants was one of those films that captivated you or not. It wasn’t Alexander Payne’s finest film. I still think Election is an unappreciated masterpiece (If you haven’t ever seen that – and you probably haven’t – give yourself a gift a go see that). But The Descendants was really quite fantastic. The Best Picture nominee tackled a wide range of subjects normally glossed over in a big budget film. As one web site wrote, it was about “love, loss, death, betrayal, forgiveness, and reconciliation.”
Ultimately though, it was about forgiveness. George Clooney’s character had to forgive his comatose wife (that was in the trailer – not a spoiler), his kids, and especially himself. His breakdown scene got him an Oscar nomination. The film is full of rich, more fully realized characters (especially for an ensemble cast) and I think deserved all the praise heaped upon it.